Music and audio players

Music inspires the whole world, gives wings to the soul, contributes to the flight of the imagination, music gives life and joy to everything that exists... It can be called the embodiment of all that is beautiful and all that is sublime. Platon

Music is the moonlight in the gloomy night of life.

Music is a Universal Language

Whether it’s lullaby or dance music, humans identify it intuitively – even when the melody comes from a completely different cultural background. Our songs seem to sound similar and are evidence of a universal connection between the form and function of music. That is, music is subject to universal “understanding,” scholars believe.

Music is a language that everyone understands.

Music is deeply rooted in our history and nature, connected to human existence. There is hardly a culture anywhere that does not know music.  Music is a part of every known civilisation, both ancient and modern, and it can be found in all human cultures around the world.

Music’s emotional impact, as well as the attitudes of its producers and performers, and the environments in which it is played, can shift through time and space.

Listening to music, singing, playing (informally or formally), and creating (exploring, composing, improvisation) are all common interests for the great majority of people.Music is a pleasurable pastime in and of itself, but its influence extends well beyond that.
These activities can provide a number of positive benefits to those who engage, in addition to allowing people to express their inner ideas and feelings. A growing body of empirical and experimental research on the broader benefits of musical activity is emerging, and research in music-related sciences suggests that successful musical engagement can positively affect many aspects of human life, including physical, social, educational, and psychological (cognitive and emotional) dimensions.

History of dj


Radio personalities who introduced and played individual choices of recorded music on broadcast radio stations evolved into the current DJ’s position as a performer who crafts a seamless and extended mix of music for a dance party or club ambiance. American radio broadcaster Jimmy Savile, a radio DJ, hosted the world’s first DJ dance party in the upstairs function room of the Loyal Order of Ancient Shepherds in Otley, England, in 1943. He claims to be the first DJ to use twin turntables for continuous play in 1947, and in 1958, he joined Radio Luxembourg as a radio DJ. The Whiskey à Go-Go nightclub opened in 1947 as well. In the 1950s, American radio DJs pretended to be a human jukebox by performing live at sock hops and “platter parties.” They frequently talked in between songs while listening to 45-rpm records with hit singles on one turntable. In certain occasions, a live drummer was hired to keep the dance floor moving between songs. Bob Casey, a well-known “sock hop” DJ, introduced the two-turntable system to the United States in 1955. Sound systems, a novel kind of public entertainment, were established in the ghettos of Kingston, Jamaica, in the late 1950s. Promoters known as DJs held massive street parties focused on the disc jockey, known as the “selector,” who played dance music from large, loud PA systems while boasting and screaming in a rhythmic chanting technique known as “toasting.” These parties quickly became profitable for the promoters, who sold entry, food, and booze, sparking heated competition among DJs for the best sound systems and the latest records.

another love piano sheet

1960s and 1970s

Nightclubs and discothèques grew in popularity in Europe and the United States in the mid-1960s, so dance music dj skill was required. DJ equipment with specialized features began to appear on the market, such as Rudy Bozak’s iconic CMA-10-2DL mixer. At New York’s Sanctuary nightclub in 1969, American club DJ Francis Grasso popularized beatmatching. Beatmatching is the process of making smooth transitions between tracks that have the same beats or tempos. Grasso also invented slip-cuing, a radio method that involves keeping a record steady as the turntable rotates beneath it and releasing it at the right time to provide a seamless transition from the previous record. Agustin Martinez, a regular of the legendary “Tequila a Go-Go” Nightclub in Acapulco, is recognized with becoming the first Club DJ to mix and edit recordings live in 1964. Armando’s Le Club, a new club in Acapulco, was opened a few years later. By 1968, the number of dance clubs in the United States had begun to fall; most of them had closed or been changed into live music venues. In Europe and the boroughs of New York City, neighborhood block parties modeled after Jamaican sound systems were popular. DJ Kool Herc, widely considered as the “founder of hip-hop culture,” began performing at block parties in his Bronx neighborhood in 1973, and created a technique of mixing back and forth between two similar songs to extend the rhythmic instrumental element, or. Turntablism, the technique of manipulating sound and creating original music with turntables, began to emerge. breakThe first SL-1200 turntable was produced in 1974, followed by the SL-1200 MK2 in 1979, which is still the industry standard for DJing in the early 2010s. The 22-minute song “Autobahn” by German electronic music band Kraftwerk was released in 1974, and it takes up the entire first side of the album of the same name. Years later, hip-hop musicians like Afrika Bambaataa and house music pioneer Frankie Knuckles cited Kraftwerk as a major influence. Hip-hop music and culture first emerged in the mid-1970s among urban African Americans and Latinos in New York City. Graffiti, DJing, b-boying, and MCing are the four fundamental aspects of Hip Hop culture (rapping).The soul-funk blend of dance pop known as disco took off in the mainstream pop charts in the United States and Europe in the mid-1970s, reviving discothèques. Unlike many late-1960s clubs, discothèques relied on the DJ’s selection and mixing of tracks to provide entertainment. Record pools first appeared in 1975, giving station jockeys quick access to current music from the industry.

Product promotions and special offerings


Increase the volume of the music! 6:47

4:41 The Closer I Get To You

6:48 – Everybody Dance

5:43 I Wish

6:27 More Than A Little Bit

6:44 Ride The Groove

Take a look at our Turntable Store. Do you require a new record player? For a wide range of turntables, needles, accessories, and more, visit our turntable store.

Create a FREE Amazon Business account to get up to 10% off and free shipping on business-only items.

Information on the product

VANGUARD is the manufacturer.

The first time it was made available was on June 3, 2011.



United Kingdom is the country of origin.

1 number of CDs

Customer Feedback:


Video should be uploaded.

The United States has given it high marks.

There was an issue filtering reviews at the moment. Please come back later and try again.

Average Score:

Last time this item was purchased:

Stories and Facts

Do you have any interesting facts or stories to share about this song?

Send it to us, and we’ll post it here after we’ve reviewed it.

Average Score:

Last time this item was purchased:


A Increase the volume of the music!


The album was packaged in a picture sleeve.

Turn The Music Up! was also released in a red PYE business “Disco” sleeve with “Limited Edition”-printing.

(1979 Vanguard Recording Society Inc.) Remix from the Album “Turn the Music Up!” (BPM 120)

1977 Vanguard Recording Society Inc. Silkie Music (MCPS) (BPM 119-123) Remix from the Album “Born To Dance”

Pye Records Limited manufactured and distributed Ryerson Music Publications (MCPS).

Delga Press Ltd. printed and manufactured the book in England.

Before going to, make sure your browser is up to date.

This is a fully automated procedure. In a few moments, your browser will redirect to the content you requested.

Please give us up to 5 seconds… Redirecting… For updates, follow @genius on Twitter. Follow @genius on Twitter.

Top Tracks

View All

Increase the volume of the music! (12″ Disco)

For Discos Only: Fantasy & Vanguard Records Indie Dance Music (1976-1981) 2018

Hangover from Love (Edit)

Pt. 1 of Vanguard Dance Classics was released in 2007.

The Mellow Sound of Get Down (Edit)

Pt. 1 of Vanguard Dance Classics was released in 2007.

Beatport is pleased to welcome you.

Beatport is the largest electronic music retailer for DJs in the world. Make a User Account

To use My Beatport, you must first log in.

My Beatport allows you to follow your favorite DJs and labels and receive notifications when new music is released. To ensure that you never miss a new release, sign in or establish an account today.

Please log in.

Turn Up The Volume! – 12″ Disco

The Players’ Association is a non-profit organization that represents players. Craft Recordings, a division of Concord Music Group, Inc., is a registered trademark of Concord Music Group, Inc.

Craft Recordings, a part of Concord Music Group, Inc., released this compilation in 2018.

Before going to, make sure your browser is up to date.

This is a fully automated procedure. In a few moments, your browser will redirect to the content you requested.

Please give us up to 5 seconds… Redirecting…

1020 is the error code.

Cloudflare’s DDoS protection

Ray’s name is Ray.



Posted on 2020-02-07 by OLH Janeway

For the time being, the OLH journal is no longer accepting unsolicited general submissions. It is currently only dedicated to publishing specially curated Special Collections on a specific topic or theme. For further information, see the OLH Special Collections.

audio pro addon t3

19: Long Nineteenth-Century Interdisciplinary Studies

In the lengthy nineteenth century, multidisciplinary studies were popular. 19 is a peer-reviewed publication dedicated to fostering interdisciplinary research in the late 1800s. 19 extends the work of the Centre for Nineteenth-Century Studies by making the high-quality, original scholarship presented at its regular conferences, symposia, and other events available to an international audience. It is based at Birkbeck, University of London. Every year, 19 publishes two themed issues, each with a collection of peer-reviewed articles exhibiting the most cutting-edge new research in nineteenth-century studies, as well as special forums fostering critical discourse in the field.

Check out the most recent issue Exchange of ASIANetworks

, a group of roughly 160 North American universities dedicated to advancing Asian Studies as a discipline within liberal arts education. Originally a newsletter, then a journal, the Exchange transitioned to a peer-reviewed publication in Fall 2011, focusing on professors appointed in liberal arts universities with Asian Studies programs. The ASIANetwork Exchange aims to disseminate both current research and high-quality instructional pieces authored by experts and non-experts. The editors of the journal are particularly interested in articles, players association turn the music up, book reviews, and media reviews that meet the needs of undergraduate students.

Current Architectural Histories can be found here.

that establishes a platform where historically informed research on all elements of architecture and the built environment may be shared, consulted, and debated. Historical, historiographic, theoretical, and critical contributions that engage with architecture and the built environment from a historical perspective are welcome to submit to the journal. Click here for more information and instructions on how to submit a paper. SHERPA RoMEO, Directory of Open Access Journals, has the journal indexed. EBSCOHost Emerging Sources on Google Scholar Avery Index to Architectural Periodicals (Citation Index) ANVUR ANVUR ANVUR ANVUR ANVUR (classe A – Area 8) Humanities and Social Sciences European Reference Index (ERIH PLUS) SCOPUS by Cengage Learning. Architectural Histories is also available for harvesting through OAI-PMH. Submit a suggestion Body, Space, and Technology (BST) (BST) (BST) (BST) (BST) (BST) ( BST is a major journal of contemporary artistic practice and study that joined the OLH platform in the summer of 2017. BST has established a high reputation for scholarly excellence and creativity since its inception in 2000, as well as for cultivating a global academic community around its published content. BST publishes multi-disciplinary research on creative practice that interfaces with digital technology, particularly as they relate to bodily interaction and creativity.

black flat screen tv turned on near white wall

C21 Literature: Journal of Twenty-First-Century Writings is now accepting submissions.

c21 literature is a publication dedicated to writings from the twenty-first century. The British Association for Contemporary Literary Studies publishes C21 Literature: Journal of 21st-Century Writings (BACLS). The journal is devoted to the study of 21st-century writing genres, forms of publication, and circulation. The increase of interest in 21st-century texts, as seen by book groups, university courses, and the rise of online publishing, has given rise to C21 Literature.

Getting pleasure from listening to music

To enable audiophiles to enjoy perfect sound, engineers and designers went to great lengths during the development of the amplifier, player and headphones. Recently, smartphones have become very popular, and thanks to their multifunctionality, they are not only a means of communication, but also a device for listening to music. Despite this, there is still a wide range of audio players on the market.​ 

They’re small digital music players that can play audio files like MP3s. Furthermore, the majority of these devices allow for the storage of video and pictures, as well as the reception of radio and television programs (podcasting). The typical output devices for delivering sound to the listener are earphones and external speakers.

A global survey conducted in 2019 shows that internet users used smartphones for listening to music less than 30% of their whole music listening time, while the majority of their time used for listening to music was on the radio. Surprisingly, listening to music on a Hi-Fi or turntable took up more time than listening to music on a smart speaker or Bluetooth speaker.